Produced when original records are at risk for loss of information, typically deterioration and/or obsolescence (e.g. acetate negatives and analog audio recordings).
Preservation master files are created at high to maximum capture specifications and can therefore serve a variety of purposes, including satisfying long-term preservation needs as well as fulfilling most researcher requests for high-quality files.
Preservation master files may capture additional information about the original beyond the content itself. Because they are created to high capture standards, preservation master files could take the place of the original record if the original was destroyed, damaged, or not retained. Preservation masters generally do not undergo significant processing or editing.
Analog preservation masters are usually created from the most original record copy available. Analog preservation masters are used to create reproduction master copies that satisfy most customer requests, as well as protect the original from loss of information. In most cases, the preservation master is not accessed directly unless the reproduction master is damaged, destroyed, or otherwise compromised.
Preservation masters are often used to make other copies including reproduction and distribution copies. Both physical format and digital preservation masters are managed and maintained in a secure storage environment and are retained over the long term.
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Aerial - Film Negatives and Positives
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Preservation Master
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Aerial Photo Maximum - 6000 Line [AEF-P1]
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TIFF: Tagged Image File Format
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Aerial - Film Negatives and Positives
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Preservation Master
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Aerial Photo Maximum - 8000 Line [AEF-P2]
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TIFF: Tagged Image File Format
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Aerial - Film Negatives and Positives
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Preservation Master
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Aerial Photo Maximum - 10000 Line [AEF-P3]
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TIFF: Tagged Image File Format
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Aerial - Film Negatives and Positives
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Preservation Master
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Aerial Photo Median - Sheet and Roll Film [AEF-P4]
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Physical Media
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Aerial - Prints
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Preservation Master
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Aerial Print Maximum - 4000 Line [AEP-P1]
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TIFF: Tagged Image File Format
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Aerial - Prints
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Preservation Master
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Aerial Print Maximum - 6000 Line [AEP-P2]
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TIFF: Tagged Image File Format
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Aerial - Prints
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Preservation Master
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Aerial Print Maximum - 8000 Line [AEP-P3]
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TIFF: Tagged Image File Format
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Audio Recordings
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Preservation Master
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Audio Maximum Capture [AUD-P1]
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WAV: Waveform
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Audio Recordings
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Preservation Master
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Audio Limited Capture [AUD-P2]
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WAV: Waveform
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Audio Recordings
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Preservation Master
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Born-digital Transcode [AUD-P3]
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WAV: Waveform
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Film Output from Motion Picture Film Reversal, Negatives and Prints
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Preservation Master
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DNS/DNC
[MPA-P1]
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Physical Media
DNS: Duplicate Negative, Silent
DNC: Duplicate Negative, Composite
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Film Output from Motion Picture Film Reversal, Negatives and Prints
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Preservation Master
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INSK/INCK
[MPA-P2]
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Physical Media
INSK: Internegative, Silent, Color
INCK: Internegative, Composite, Color
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Film Output from Motion Picture Film Reversal, Negatives and Prints
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Preservation Master
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FGMS/FGMC
[MPA-P3]
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Physical Media
FGMS: Fine Grain Master, Silent
FGMC: Fine Grain Master, Composite
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Film Output from Motion Picture Film Reversal, Negatives and Prints
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Preservation Master
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MPPSK/MPPCK
[MPA-P4]
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Physical Media
MPPSK: Master Positive Print, Silent, Color
MPPCK: Master Positive Prints, Composite, Color
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Film Output from Motion Picture Film Reversal, Negatives and Prints
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Preservation Master
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MPT
[MPA-P5]
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Physical Media
MPT: Master Positive Track (Fine Grain)
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Film Output from Motion Picture Film Reversal, Negatives and Prints
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Preservation Master
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DNT
[MPA-P6]
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Physical Media
DNT: Duplicate Negative Track
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Digital Moving Images from Film-based Source Material
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Preservation Master
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Motion Picture Film Maximum Capture - 4K [MPD-P1]
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DPX: Digital Moving-Picture Exchange
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Digital Moving Images from Film-based Source Material
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Preservation Master
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Motion Picture Film Maximum Capture - 2K [MPD-P3]
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DPX: Digital Moving-Picture Exchange
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Digital Moving Images from Film-based Source Material
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Preservation Master
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Motion Picture Film Maximum - Soundtrack Image Data [MPD-P5]
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DPX: Digital Moving-Picture Exchange
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Digital Moving Images from Film-based Source Material
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Preservation Master
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Motion Picture Film Maximum - Soundtrack Audio Data [MPD-P6]
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WAV: Waveform
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Still Photographs - Film Negatives and Positives
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Preservation Master
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Still Photo Maximum - 4000 Line [SPF-P1]
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TIFF: Tagged Image File Format
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Still Photographs - Film Negatives and Positives
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Preservation Master
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Still Photo Maximum - 6000 Line [SPF-P2]
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TIFF: Tagged Image File Format
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Still Photographs - Film Negatives and Positives
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Preservation Master
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Still Photo Maximum - 8000 Line [SPF-P3]
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TIFF: Tagged Image File Format
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Still Photographs - Prints
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Preservation Master
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Still Print Maximum - 4000 Line [SPP-P1]
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TIFF: Tagged Image File Format
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Still Photographs - Prints
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Preservation Master
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Still Print Maximum - 6000 Line [SPP-P2]
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TIFF: Tagged Image File Format
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Still Photographs - Prints
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Preservation Master
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Still Print Maximum - 8000 Line [SPP-P3]
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TIFF: Tagged Image File Format
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Microfilm - Preservation [TXM-P1]
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Preservation Master
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Microfilm - Preservation [TXM-P1]
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Physical Media
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Textual, Micrographic and Cartographic Records, Posters and Illustrated Materials
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Preservation Master
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Textual Maximum - B&W [TXT-P1]
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TIFF: Tagged Image File Format
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Textual, Micrographic and Cartographic Records, Posters and Illustrated Materials
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Preservation Master
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Textual Maximum - Grayscale [TXT-P2]
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TIFF: Tagged Image File Format
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Textual, Micrographic and Cartographic Records, Posters and Illustrated Materials
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Preservation Master
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Textual Maximum - Color [TXT-P3]
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TIFF: Tagged Image File Format
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Digital Moving Images from Video Source Material
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Preservation Master
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Video Maximum Manual Capture - SD [VID-P1]
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AVI: Audio Video Interleaved
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Digital Moving Images from Video Source Material
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Preservation Master
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Video Maximum Automated Capture - SD [VID-P2]
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AVI: Audio Video Interleaved
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Digital Moving Images from Video Source Material
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Preservation Master
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Video Maximum Capture - HD (future workflow) [VID-P3]
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File Type To Be Determined
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